Photo: Walter Wlodarczyk. Artwork by Polly Apfelbaum.
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Described by The New York Times as “the most important flutist of our time,” Claire Chase is a musician, interdisciplinary artist, and educator. Passionately dedicated to the creation of new ecosystems for the music of our time, Chase has given the world premieres of hundreds of new works by a new generation of artists. She is a MacArthur Fellow, a Professor of the Practice at Harvard University, and was the Debs Creative Chair at Carnegie Hall in the 2022-23 season.
Upcoming Performances
Past Performances
Claire Chase returns as we revisit Rita Dove’s hard-edged, raw “cricket poems” in Tania León’s endlessly inventive Singsong, which dances its way through a journey of Black singers from pre-slavery to today. Wang Lu’s At Which Point boldly explores the fragility and emptiness of grief found in poet Forrest Gander’s world of those “left behind.” Finally, Ayanna Woods’ Infinite Body, a co-commission of Carnegie Hall and The Crossing, explores how capitalism influences our relationship to our bodies, peering through the lenses of the natural world, burnout culture, and embodiment, to observe and unsettle the notion of our separateness.
The return of Claire Chase and the tsunami of energy that comes with her, as we revisit Rita Dove’s hard-edged, raw “cricket poems” in Tania León’s endlessly inventive Singsong, which dances its way through a journey of Black singers from pre-slavery to today. Wang Lu’s At Which Point boldly explores the fragility and emptiness of grief found in poet Forrest Gander’s world of those “left behind.” Finally, Ayanna Woods’ Infinite Body, a co-commission of Carnegie Hall and The Crossing, explores how capitalism influences our relationship to our bodies, peering through the lenses of the natural world, burnout culture, and embodiment, to observe and unsettle the notion of our separateness.